Some reviews wot I wrote, "way back"

Just a quick post to alert those who might be interested — I've set up a page of links to my reviews for The Fix Online, which was part of the TTA Press publishing empire. I wrote these mostly in 2008, but alas The Fix Online is no more. Thanks to the Wayback Machine, however, the text is still available, though mostly unformatted.

Incidentally the links to the podcast fiction I reviewed in my column "From the Podosphere" seem to be working, so if you're looking for some science-fiction audio, some fantasy audio or some horror audio to while away some hours (or scare you silly) check out what I liked and give it a try.

Click here to go to the page.

I have a cunning plot, but I don't yet know what it is

Today someone tweeted me to the effect that they had just finished listening to my podcast novel for the second time, and how was the sequel coming along....

I replied that the sequel had been started but progress was slow, due to the fact that I'd been doing other things. I assured them, however, that the sequel would be forthcoming. And I really meant it, despite not having touched the draft for several years. Every so often I get a query about the sequel, and I generally reply in the same vein, though each query fills me with guilt for withholding stuff from my listener/readership. This time the request spurred me to read what I'd got so far, and it turns out I really want to know what happens to the characters in the story.

There is only one way to find out, so I'll have to schedule some regular, major time to continue with the first draft.

Escape Pod, episode 400: "Rescue Party" by Arthur C. Clarke

Wow. I just listened to something truly awesome. Check out the 400th episode of Escape Pod, the science fiction podcast magazine. For this landmark episode the Escape Artists crew serve up a full-cast performance of a classic SF short story — the very first story sold by my all-time favourite SF author, Arthur C. Clarke. "Rescue Party" was written in 1946, and bears the hallmarks that identify Clarke as the visionary he was later to be acknowledged as.

http://escapepod.org/2013/06/18/ep400-rescue-party/

Clarke is a hero of mine. See this article at HumanistLife to find out why:

http://www.humanistlife.org.uk/2010/06/humanist-hero-arthur-c-clarke-by-paul-s-jenkins/

Disclosure: I've narrated stories for Escape Pod myself in the past. Here's one of my favourites, done for an earlier milestone in the podcast's illustrious history:

http://escapepod.org/2006/04/20/ep050-the-malcontent/

"Tippler's Bane" — Evelyn Wang's creepy mushroom story now available

I'm famous again (at least a little bit). A new horror short story by Evelyn Wang, entitled "Tippler's Bane", is now available at Pseudopod, the weekly horror podcast. It's narrated as a two-hander by Eve Upton and me.

If you'd like to hear a creepy horror story about twenty minutes long, go and take a listen. At the time of this writing the version available may have some issues with Eve's part of the narration, but I understand Pseudopod have anticipated this and will post a revised version if enough people go over to the Pseudopod discussion forum and encourage them to do so.

It's only the second time I've shared narration of a short story — the other was "Are You Ready For the End of the World?" by Danny Adams, which I narrated along with Tee Morris in March 2006, for Escape Pod.

Incidentally if you're at all interested in short genre audio fiction you really should subscribe to the three Escape Artists podcasts: Escape Pod (science fiction), Pseudopod (horror) and PodCastle (fantasy) — for all of which I've narrated at one time or another.

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UPDATE 2011-06-01:
An alternative version of the story is now available from the Pseudopod website (the mushroom lady is now more audible):
http://media.libsyn.com/media/pseudopod/Pseudo231a_TipplersBaneAlternate.mp3

Cory Doctorow at TAM London 2010

The subject of copyright might not at first appear entirely relevant to the skeptical theme of TAM London, but Cory Doctorow is an engaging speaker and I was keen to hear him in person. (I also had a personal interest in hearing him speak, as I've had my own creative work published beside his, in the podcast fiction anthology Voices: New Media Fiction, edited by Mur Lafferty.) In the event Doctorow's talk fitted the theme perfectly, as he is skeptical of the whole idea of copyright as it is attempted to be implemented in the modern digital world.

Doctorow is himself a pioneer in copyright reform. As a science-fiction writer he makes all his novels available for free under Creative Commons, yet still earns money from the same novels published conventionally. He worked for some years at the Electronic Frontier Foundation, so is no stranger to challenging accepted paradigms.

He pointed out that the way copyright-owners currently seek to restrict use of their intellectual property is simply impractical in the age of the internet, and that "yesterday's pirates are today's admirals". As an example he cited the invention of the phonograph, which appeared to threaten publishers of sheet music. When it became possible to mechanically record music played from the printed sheets, the music publishers understandably objected to the recording companies' selling their recordings direct to the public. They considered the recording companies pirates, but now the recording companies are the admirals, protesting at the ease with which their recordings can be shared at very low cost without remuneration to the companies that manufactured the recordings. He described Viacom's attempts to force YouTube to vet — for copyright violation — all uploads to the world's most popular video-sharing website as doomed: there simply isn't enough time between now and the heat death of the universe for YouTube to do such a thing.

Cory Doctorow is always great value as a speaker — clear, provocative, funny and disciplined. He dealt with questions from the floor in typical no-nonsense fashion. Other public speakers could learn a lot from his style. If you want more Doctorow, I recommend his website Craphound.com as a first stop. He's also an editor of BoingBoing, the well-known tech/culture blog.

Top Ten seminal science-fiction films... (repost from other blog)

...in no particular order - a personal list.

• Forbidden Planet - Shakespeare's The Tempest given a science-fictional re-interpretation
• Metropolis - imagination ahead of its time
• 2001: A Space Odyssey - the first SF religious movie, with special effects that even today have not been surpassed (equalled, but not surpassed)
• Blade Runner - Ridley Scott's dystopian free-adaptation of Dick
• The Matrix - awesome spectacle, shame about the sequels
• Brazil - Gilliam's finest (in fact, anybody's)
• Silent Running - greenhouses in space, with cute robots
• Star Wars - Episode IV: A New Hope - strictly fantasy rather than SF, despite the space-ships, robots and futuristic weapons
• ET - The Extra-Terrestrial - highly successful, but full of Spielberg schmaltz
• Close Encounters of the Third Kind - another influential Spielberg flick, though my least favourite here

Remember: not in order. Also remember: this is my list.

Goodbye Sir Arthur, and thank you (repost from other blog)

Sad news.

http://news.bbc.co.uk/1/hi/uk/7304004.stm

Sir Arthur C. Clarke, the world's best science-fiction writer, died today, aged 90.

See also, here.

Sir Arthur at 90 (repost from other blog)

I'm occasionally asked why I write science fiction.

The answer is, because of this man:

http://www.youtube.com/watch?v=3qLdeEjdbWE



Happy birthday Sir Arthur!

My latest appearance... (repost from other blog)

'Appearance' in the title of this post is metaphorical - you can't see me, but you can hear me reading Stephen Gaskell's story "Everyone Carries a Shadow" in the 50th episode of Pseudopod, the weekly horror podcast.

I enjoy reading for other people, especially short stories, but I appreciate that my voice is only appropriate for some. This is my third reading for Pseudopod, and I'll be interested in the reaction this story garners. My previous two readings were Michael Stone's "Sacred Skin" and Eugie Foster's "Oranges, Lemons and Thou Beside Me" - both of which were extremely creepy (the Foster was also highly disturbing).

I've also read in the past for Pseudopod's elder sibling Escape Pod, my first being Scott Janssens' flash story "Paradox", and subsequently a two-hander with Tee Morris, "Are You Ready For the End of the World?" by Danny Adams. But the story I had most fun with was Steve Eley's "The Malcontent" which he asked me to read for Escape Pod's 50th episode.

(I like stories that operate on more than one level, and "The Malcontent" was one of those - lots of fun, but with deeper meaning evident as the story progressed.)

I've also read for The Time Traveller Show, and for its offshoot Wonder Audio, whose stories are now available for purchase from Audible and iTunes.

And in a fit of enthusiasm I read three chapters of Jules Verne's A Journey to the Interior of the Earth and one chapter of Bram Stoker's Dracula, both for LibriVox.

Fizzle? It didn't! (repost from other blog)

Last Saturday evening BBC1 aired the finale of Jekyll, and what was briefly hinted at in the penultimate of six instalments came to its complex conclusion. This clever, sophisticated and funny series must be a landmark for British speculative TV drama. Not since Channel Four's Ultraviolet, written by Joe Ahearne and broadcast in 1998 has the traditional horror genre been given serious science-fictional treatment on British TV.

Quite what happens next I've no idea. We have the Jackman twins - that could be another story, but it looks like this one is over.

Or is it?

(Previous witterings here and here.)

Saturday evenings are still fun (repost from other blog)

Doctor Who has finished on BBC 1 for the time being (until the Christmas Special with Kylie Minogue), so Saturday evenings are now focussed on James Nesbitt's bravura performance in Jekyll. This series, now up to episode 4, has edged further from the surreal melodramatics of the opening episodes into out-and-out science fiction. And pretty good sci fi it's turning out to be, if you don't mind your suspension of disbelief being stretched spider-web thin.

Nesbitt, Gina Bellman and Denis Lawson are a joy to watch, as if they're fully aware this isn't meant to be classical drama and have decided to run with its absurdities for all they're worth. Some great lines too: "You have my husband in a box!" Stating the obvious, but said out loud it does emphasise the craziness of the whole premise.

This week we were treated to some sizeable chunks of flashback, when we saw how Dr Jackman first became aware of his peculiar disorder, at about the same time he first met his wife-to-be. It's greatly to writer Steven Moffat's credit that these scenes were convincing and sympathetic, despite being in a different style from the rest of the production so far.

Jekyll is huge fun, and not to be missed.

I feel cheated (repost from other blog)

This may or may not be fair, but nevertheless I feel cheated.

I have subscribed to "Locus: the magazine of the science fiction & fantasy field" for several years. The magazine is sent to me from beyond the pond, by sea mail. Consequently I get each issue weeks after its publication date, but at a reasonable rate -- a rate further reduced by subscribing for two years at a time.

And then this turns up in my inbox:

Dear International Subscriber,

We value you as a subscriber and hope you are enjoying your magazine subscription. Earlier this year, the US Postal Service announced they would be raising their rates. With this rate increase came major unannounced changes to their entire International rate structure. International surface mail (sea mail) and international periodicals mail were discontinued. Without those two mailing services, we can only fulfill subscriptions by airmail.

These changes affect your subscription and all of our other international surface mail subscribers. We will be converting all our surface mail subscriptions to airmail. Current Canadian and Mexican subscribers will lose one issue from their periodical rate subscriptions. Our current International surface mail subscribers will receive two airmail issues for every three remaining surface mail issues. If you have any questions, or would prefer to receive a refund of the remaining balance on your subscription, please let us know. Our rates will be going up for first class Canadian subscribers on July 1, 2007. If you renew before then, you will get the old rates.

We are sorry to have to make these changes, we hope you understand why the conversion is necessary, and we thank you for your continued support.

Best,
Locus

I don't know. I agreed to pay for two years in advance on the understanding that I was securing 24 issues at the then current rate. I appreciate that Locus could not have foreseen the end of sea mail. But suppose there's a hike in the cost of paper, or printing, or another increase in airmail postage -- will they feel able to charge me for those as well, on my current subscription? If so, what's the point of paying two years (or more) in advance?

I haven't done the sums, but I hope the offer of cancellation doesn't mean I'll have paid more for the issues I've already received than I originally agreed to.

Not that I will necessarily opt for cancellation. As I say, I haven't done the sums.